2019 Features
GQ
Anne With An E, The OA, and Sense8: TV Cancellations Don’t Spell the End Anymore
2019 Is the Year That CGI Finally Went Too Far
You Is Worth Watching For Penn Badgley’s Voice
An Ode to Al Pacino’s Ice Cream Obsession in The Irishman
The Cats of Cats Ranked By How Much They Scare Me
The Extreme Realness of Kristen Stewart
Anna Meredith’s “Nautilus” is the Go-To Song for Personal Hell
Robert Pattinson’s Viral Moments, Ranked
Spike Jonze’s Where The Wild Things Are Captured the Terror of Childhood
Tom Wamsgans Is Succession’s Dark Horse
How Scottish Was the Scottish Episode of Succession?
The Goldfinch Isn’t That Bad, You Guys
Burn After Reading Proves Brad Pitt Should Do More Comedy
In Praise of Nicholas Braun, Disney Star
The Future of TV is This Groundbreaking Norwegian Show
Rom-Coms Have Moved on Since 500 Days of Summer
Every Keanu Reeves Movie, Ranked
Inside KeanuCon, the First Keanu Reeves Film Festival
i-D
why is queer cinema so obsessed with clothes sniffing?
how teens reclaimed daniel day-lewis as a gen-z heartthrob
Little White Lies
Exploring the Best of British cinema at the 2019 Edinburgh Film Festival
Glasgow Film Theatre
Happy As Lazzaro // Programme Notes
The Skinny
Bo Burnham and the Changing Face of Internet Comedy
Bright Wall/Dark Room
Girls on Tops READ ME
She Wears The Crown: Sex As Power in Mary Queen of Scots and The Favourite