2019 Features

GQ

Anne With An E, The OA, and Sense8: TV Cancellations Don’t Spell the End Anymore

2019 Is the Year That CGI Finally Went Too Far

You Is Worth Watching For Penn Badgley’s Voice

An Ode to Al Pacino’s Ice Cream Obsession in The Irishman

The Cats of Cats Ranked By How Much They Scare Me

The Extreme Realness of Kristen Stewart

Anna Meredith’s Nautilus” is the Go-To Song for Personal Hell

Robert Pattinson’s Viral Moments, Ranked

Spike Jonze’s Where The Wild Things Are Captured the Terror of Childhood

Tom Wamsgans Is Successions Dark Horse

How Scottish Was the Scottish Episode of Succession?

The Goldfinch Isn’t That Bad, You Guys

Burn After Reading Proves Brad Pitt Should Do More Comedy

In Praise of Nicholas Braun, Disney Star

The Future of TV is This Groundbreaking Norwegian Show

Rom-Coms Have Moved on Since 500 Days of Summer

Every Keanu Reeves Movie, Ranked

Inside KeanuCon, the First Keanu Reeves Film Festival


i-D

24 must-watch films from A24

why is queer cinema so obsessed with clothes sniffing?

how teens reclaimed daniel day-lewis as a gen-z heartthrob


Little White Lies

Exploring the Best of British cinema at the 2019 Edinburgh Film Festival


Glasgow Film Theatre

Happy As Lazzaro // Programme Notes


The Skinny

Bo Burnham and the Changing Face of Internet Comedy


Bright Wall/Dark Room

The Magic of Growing Up


Girls on Tops READ ME

She Wears The Crown: Sex As Power in Mary Queen of Scots and The Favourite