Features

2020

GQ

Everything You Need to Know About Quibi

Jason Segel’s Dispatches From Elsewhere Is Peak Anti-Prestige TV

Netflix Reality Shows, Ranked By How Unhinged They Are

Amazon Prime’s Trivia Section Sets It Apart From Every Other Streamer

Revisiting Constantines Weird and Wonderful Legacy

The French Dispatch Looks Like Wes Anderson’s Most Wes Anderson-y Film Yet

Ford v Ferrari Should Win Best Picture

How And Then We Danced Became 2020’s Most Controversial Movie

Every Studio Ghibli Film, Ranked

Netflix’s Sex Education Is the Latest to Misuse This Sufjan Stevens Song

Love Island: Winter Is the Perfect Cure for Your Seasonal Blues

The Circle: TVs Trashiest Reality Show We Can’t Stop Watching


Glasgow Film Theatre

La Dolce Vita // Programme Notes


2019

GQ

Anne With An E, The OA, and Sense8: TV Cancellations Don’t Spell the End Anymore

2019 Is the Year That CGI Finally Went Too Far

You Is Worth Watching For Penn Badgley’s Voice

An Ode to Al Pacino’s Ice Cream Obsession in The Irishman

The Cats of Cats Ranked By How Much They Scare Me

The Extreme Realness of Kristen Stewart

Anna Meredith’s Nautilus” is the Go-To Song for Personal Hell

Robert Pattinson’s Viral Moments, Ranked

Spike Jonze’s Where The Wild Things Are Captured the Terror of Childhood

Tom Wamsgans Is Successions Dark Horse

How Scottish Was the Scottish Episode of Succession?

The Goldfinch Isn’t That Bad, You Guys

Burn After Reading Proves Brad Pitt Should Do More Comedy

In Praise of Nicholas Braun, Disney Star

The Future of TV is This Groundbreaking Norwegian Show

Rom-Coms Have Moved on Since 500 Days of Summer

Every Keanu Reeves Movie, Ranked

Inside KeanuCon, the First Keanu Reeves Film Festival


i-D

24 must-watch films from A24

why is queer cinema so obsessed with clothes sniffing?

how teens reclaimed daniel day-lewis as a gen-z heartthrob


Little White Lies

Exploring the Best of British cinema at the 2019 Edinburgh Film Festival


Glasgow Film Theatre

Happy As Lazzaro // Programme Notes


The Skinny

Bo Burnham and the Changing Face of Internet Comedy


Bright Wall/Dark Room

The Magic of Growing Up


Girls on Tops READ ME

She Wears The Crown: Sex As Power in Mary Queen of Scots and The Favourite


2018

Glasgow Film Theatre

Sorry To Bother You // Programme Notes


Girls on Tops | READ ME

Inside the artist’s studio: Manipulation and Euphoria in Madeline’s Madeline